…a still, small voice says to us something is out of tune.

art, writing

A friend’s post this morning caused me to type out the first two paragraphs from Frederick Buechner’s Godric. There’s nothing I could possibly write today that could be better than those two paragraphs, and nothing you could do that would be more instructive to your writing and your being human than ordering Godric and reading it.

“Five friends I had, and two of them snakes. Tune and Fairweather they were, thick round as a man’s arm, my bedmates and playfellows, keepers of my skimped hearth and hermit’s heart till in a grim pet I bade them go that day and nevermore to come again, nevermore to hiss their snakelove when they saw me dragging near or coil themselves for warmth about my shaggy legs. They went. They never came again.”

“I spied them now and then, puddling my way home like a drowned man from dark Wear with my ballocks shriveled to beansize in their sack and old One-eye scarce a barnacle’s length clear of my belly and crying a-mercy. It was him as I sought in freezing Wear to teach a lesson that he never learned nor has to this day learned though wiser, you’d think, for sixty winters’ dunking in bone-chilling, treacherous Wear. Not him. I would spy my gentle Tune and watchdog, firetooth Fairweather watching me as still as death in the long grass or under a stone as I hied home sodden on cracked feet, but none of us ever let on that we were seeing what we saw until we saw no longer. I miss them no more or hardly do, past most such sweet grieving now at age above a hundred if I’ve got time straight for once.”

Godric at Amazon.com

In which a quote from Christian Wiman gets my dander up

art, teaching, writing

Christian Wiman is awesome. I love his poetry. He was just named a Guggenheim fellow. He took the time to hang out with my MFA alma mater. But a friend sent me the following transcription from a recent interview of his and it got my dander up:

You are filled and then you’re not. A poet is someone who has to exist between those moments. And between those moments you don’t feel like a poet. It’s been two months since I’ve written a poem and I don’t feel at all like a poet. It goes away. You’re just a person going about your life like anyone else. The gift seems not yours. It seems on loan. Whereas with prose you can do that anytime. You can crank that out.

There seem to be two sets of problematic assumptions in this quote. Regarding poetry:

-successful poems come from some source of inspiration outside the poet

-drafting, revising, rewriting—if you’re in between periods of being “filled” these things are of little use

-poets are gifted in a unique way, even from other creative writers (which raises a whole different set of questions)

Regarding prose:

-prose writers are never “filled” and don’t need to wait for those moments

-prose writers can and should feel like writers all the time

-most alarmingly, you can write successful prose anytime and just crank it out

I haven’t seen this whole interview yet, so hopefully the context clarifies things. However, I can’t imagine telling my beginning poetry students that they should wait to be filled, and if it takes a month or two past the assignment deadline, well, no problem! And I can’t imagine telling my beginning creative nonfiction students that patience and inspiration and and bravery don’t have a role in their prose since they can just crank it out.

Is the poet really such a different animal? How do you read this quote if you make a different sort of art, like music or visual art? I know there are people who will read this who have Christian’s email address. I’d dearly love to hear his thoughts. And I know, I know—I need to watch the whole interview!

UPDATE: Christian Wiman, I can’t quit you

Just when my dander was nice and up, along comes Wiman saying this to Krista Tippett:

It may be the case that God calls some people to unbelief in order for faith to take new forms.

How could I stay mad at you?

Secret writing

art, writing

Here’s the inimitable Leslie Leyland Fields on writing even when we’re not writing—what my friend Katie Boone calls “secret writing”:

I was alone, my boots sliding on the gravel trail. But it was not long before I thought of the book I was working on, on forgiving our fathers and mothers. I thought of the article I was trying to end, the final sentence telling the truth about keeping faith with the world. I thought of this space here and the words I would write.
And they are with me, words, ideas, the ones I try to herd into meaning find me even here, in the forest. I write them down on paper in my pocket. I record them on my voice memo. I speak the words I am writing now. They find me no matter where I go. This is the burden of writing. (read more)

Do you feel that burden? Do you write when you’re not writing?

…you come with empty hands…

art, Christianity, music, writing

Here’s singer-songwriter Bill Mallonee on the artistic process:

now look if you’re gonna come around here
and say those sort of things
you gotta take a few on the chin
yeah you’re talking about sin and redemption
well you better wear your thickest skin
sometimes you can’t please everyone
sometimes you can’t please anyone at all
sew your heart onto your sleeve

If you’re an artist you know what comes next:

and you wait for the ax to fall

Watch him perform the song at the link below. And then go make art.

Bill Mallonee – Skin